This Week's Show • August 28, 2014
In the last show in our series on the Great War, we're listening to the sounds that emerged from its ashes. In Vienna concert halls and New York jazz clubs, from Maurice Ravel’s piano elegies to Igor Stravinsky’s explosive symphonies, we’re coursing through the composers who defined a modern era, reacting to the terrible violence of total warfare through art.
Podcast • August 17, 2014
In 1916, two years into the war, Americans reelected the president who’d kept us out of the battle. But by the summer of 1917, the same Woodrow Wilson had committed the US to fighting alongside Britain and France against Germany. For me the hair-raising fascination in our conversation here, on the eve of publication, is in the foreshadowings — of a century of horrific hot and cold sequels of the Great War, but also of the very-2014 tensions between democracy and capitalism, and of course the rise of a new giant in China.
August 13, 2014
Out of the wreckage of World War 1 come the incandescent modernists -- none burning brighter than James Joyce and his Ulysses. And don't forget Virginia Woolf, Ezra Pound and Pablo Picasso, too. It’s a rebel alliance of high-art anarchists. A century later, their lights are still on. Do you still hear the rebellious voice in the modernist masterpieces?
August 11, 2014
This week we’re talking about the guns of August, fired one hundred years ago this month. And we’re wondering what kind of century we inherited from the First World War. Alongside power politics and industrial killing, there was a revolution in art, in the novel, in music and in antiwar ideas in exhausted Europe and over here.
Podcast • August 8, 2014
What I went least prepared for was the openness of Chinese people in what we call a closed society. So the last audio postcard from this trip is a 10-minute distillation of a conversation that sprang up like music to my ears in a dormitory room with five students at the venerable Peking University in Beijing. These are aspiring middle-class kids – a random sample of the top of the heap
This Week's Show • August 7, 2014
How do you end an endless war? Thirty years ago Jimmy Carter declared the Persian Gulf a "vital" focus of American foreign policy. Since then, U.S. forces have invaded, occupied, garrisoned, bombed or raided 18 nations, absorbing thousands of casualties and getting little in return in terms of peace or goodwill.
By the Way • August 4, 2014
Not perhaps since Alexander Solzhenitsyn in the Soviet Gulag has there been a dissenting artist who got to be as famous as the government that hounds him. But Ai Weiwei’s situation is one-of-a-kind.He’s a scathing oppositionist who argues with me that China’s moral, natural, aesthetic, ...
This Week's Show • July 31, 2014
The jobless economy: a fully automated, engineered, robotic system that doesn’t need YOU, or me either. Anything we can do, machines can do better - surgery, warfare, farming, finance. What’s to do: shall we smash the machines, or go to the beach, or finally learn to play the piano?
Podcast • July 20, 2014
With hundreds of Earth-like planets discovered over the past few years, it’s fair to say we’re on the verge of finding alien life. Two new programs at NASA hope to find and analyze thousands more of these exoplanets, as they’re called. Scientists working on the Transiting Exoplanet Surveying Satellite (TESS) and the James Webb Space Telescope say there’s a very real chance of finding extraterrestrial life within the next two decades. So, if we're about to meet our extraterrestrial neighbors, let’s get to work on some opening lines. What if we're really not alone?
July 20, 2014
It’s a thrill to read about the graffiti genius Ganzeer in the New York Times Sunday Arts Section, and about his prominence in a big show at the New Museum in Manhattan. And it’s a chill to discover that Ganzeer is a refugee in Brooklyn now — because Egypt under military dictatorship again is not a safe place for an artist of revolution. Ganzeer’s imprint on the walls of Cairo was my epiphany in 2012 about the depth of the art and passion under the so-called Arab Spring, and the universal reach of its graphic language.