Reading Chekhov


Our “Reading Chekhov” series culminates in a full hour on the Russian physician who spun the small happenings of old Russia into some of the most popular plays in the world and into stories that stay with us and feel new. Andre Dubus III, Maxim D. Shrayer and Rosamund Bartlett are taking us through the dreams, the heartbreak, and the truth of the writers’ writer.

Chekhov’s phrases, scenes and lines keep expanding when they’re spoken aloud. He has the further peculiar effect of inviting digressions as we go – conversations and asides about all manner of things, philosophical and emotional, and not at all specially Russian. For our podcast project “Reading Chekhov,” we’ve assembled actors and storytellers to bring these Russian classics to life.

Guest List

"The Cherry Orchard" performed for the first time at the Moscow Art Theatre, January 17, 1904

“The Cherry Orchard” performed first at the Moscow Art Theatre, January 17, 1904

More Reading

  • Ben Greenman’s provocative, funny ‘translation’ of Chekhov’s stories into the language and world of contemporary celebrity, called Celebrity Chekhov;
  • An interview with Rosamund Bartlett in Passport magazine on her biography of the man himself — she calls Chekhov “one of the few people you end up admiring more rather than less having probed the details of his life”;
  • Maxim Shrayer discusses Nabokov and Chekhov with Five Books:

Nabokov’s stories go back to Chekhov and Bunin and the great Russian love story, in which desire and memories interact, mostly in unhappy ways for the characters, but happily for the reader.

I think that in Anton Chekhov’s presence every one involuntarily felt in himself a desire to be simpler, more truthful, more one’s self…

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