journalist

Podcast • January 25, 2011

David Rohde’s Taliban Captivity

What can Taliban captivity do to a man’s judgment, even to his soul? It made David Rohde root for the CIA’s drone missiles buzzing on the horizon, even when his captors assured him the drones ...

David Rohde

What can Taliban captivity do to a man’s judgment, even to his soul? It made David Rohde root for the CIA’s drone missiles buzzing on the horizon, even when his captors assured him the drones were hunting for them and him, and were going to take his life with theirs:

DR: At first you’re sort of afraid because you don’t know when the strike’s going to happen. There’s no warning. The missile comes down faster than the speed of sound, so you won’t hear the missile that kills you. After a while you sort of get used to them and you don’t pay as much attention to them. But it’s a devastating weapon, and you have no idea when a strike will come. It sort of haunts you.

CL: But what was your fundamental response to the sight and sound of these things in the sky? Was it, “Whew, help is on the way,” or,  “Holy shit, this could take me out too” ?

DR: It changed with time and as my view of my captors changed. I want to be honest: I came to just despise them. I hated them. I hated them for what they were doing to my family. I hated them for the fact that they were essentially making my wife and my parents and my siblings feel like they were just cheap people, and if they could somehow just come up with the millions of dollars they wanted, that my family could save my life.  Kidnapping’s really an incredibly personal crime.  As time went by, if drones were killing Taliban it frankly made me happy. I saw them [my captors] as hypocritical criminals who were doing horrible things to my family. We tried to escape because we were basically ready to die. And we wanted them to get nothing. We wanted our families to not have to suffer like this, and we just completely despised them. So my view of the drones changed over time…

David Rohde, with Kristen Mulvihill, in conversation with Chris Lydon, January 25, 2011.

New York Times reporter David Rohde was a prisoner for seven months in 2008 and 2009 of the Haqqani network in the Taliban-run Tribal Areas of Pakistan. This is the same Haqqani network that a generation ago (pumped with Saudi money, Wahhabi theology, American Stinger missiles and CIA generalship) led the charge of the mujahedeen against the Soviet occupation of Afghanistan. The late Texas Congressman Charlie Wilson (as in Charlie Wilson’s War) pronounced the Haqqani patriarch, Jalaluddin, “goodness personified.” What should it tell us that a generation later, the Haqqani sons, Badruddin and Sirajuddin, are the point of the Taliban lance against U. S. forces in the region and both seem to have enjoyed overlordship of David Rohde’s kidnapping ordeal. In David’s account with his wife Kristen Mulvihill, A Rope and a Prayer, and in many other versions, I take the large arc of the story to be about the killer mix of fanaticism and firepower that came back to bite us on 9.11 and ever since, and how it is still tearing up the home grounds where the US helped plant the virus thirty years ago. David Rohde knows the details of that story — of our “Frankenstein’s monster,” as he puts it — far better than I do. And still I have to say his thematic question in this book strikes me as stunningly wrong. First with smoke in his nose in Lower Manhattan in September, 2001 and on to the last strokes of this book, he is asking himself “how can religious extremism be contained?” He thinks those drones might actually be part of the answer.

I am presuming in this conversation not just to differ on the drones, but to suggest he “buried the lede” of his own story. He lets me get away with it, perhaps because I’ve watched his work with affection, often with awe, since he interned as a Brown undergraduate with our Ten O’Clock News on WGBH, public television in Boston.

Podcast • August 26, 2010

Real India: Tarun Tejpal’s heart-ache for "the idea of India"

In the slick commercial media of New Delhi, Tehelka is the strong-minded reformist alternative. It could remind you of The New Yorker and The Nation back home. Tehelka is fearless and critical if not exactly radical in its politics; it is passionate and informed but not forbiddingly high-brow on literature, movies and the arts. Tehelka's greatest coup was a sting back in 2001 that made bribery look routine and easy in military arms procurement. It cost the Defense Minister his job but brought a vengeful bureaucracy down on the magazine, which has barely survived financially.

 

NEW DELHI — Tarun Tejpal — muckraker, editor and novelist — is speaking with professional zeal and a certain generational remorse about his remarkable ten-year-old magazine Tehelka.

In the slick commercial media of New Delhi, Tehelka is the strong-minded reformist alternative. It could remind you of The New Yorker and The Nation back home. Tehelka is fearless and critical if not exactly radical in its politics; it is passionate and informed but not forbiddingly high-brow on literature, movies and the arts. Tehelka’s greatest coup was a sting back in 2001 that made bribery look routine and easy in military arms procurement. It cost the Defense Minister his job but brought a vengeful bureaucracy down on the magazine, which has barely survived financially.

Tarun Tejpal’s father was a military officer who wore English suits and used a knife and fork. He was what Indians call with some embarrassment now, a “Brown Sahib,” wishing his way into the ruling class. Tarun Tejpal’s daughters, on the contrary, have chosen colleges and careers in the United States — in a modern Indian spirit that admires America despite everything, as in “Yankee go home, and take me with you.” Tarun Tejpal himself, as a young scholar and athlete, dropped out of the Rhodes Scholarship race that would have sent him to Oxford because he couldn’t miss a day of the historic action unfolding in India as he came of age in the Eighties. He finds himself now, age 47, appalled at the opportunities missed, the visions that lost traction, the generation and social class that abandoned “the idea of India” for an orgy of acquisition and consumption.

… Were you to ask me what I feel about India today, I would say: great distress. Were you to ask me: are you optimistic about India? I would say: no. Were you to ask me whether you think we will come through, I would say: maybe. But what we certainly are not is what the world imagines us to be: this great rising, shining superpower, this juggernaut spreading its head. It’s much more complex than that. There are some millions of us who are there, and among whom I count myself, who have wealth, education, privilege, mobility, power. We have all that. Is it remotely true of the majority of this country? It’s not. Seven hundred, 800 million people in this country do not have a story to their lives…

There was a big difference when we became independent. We were 300 million then. The incredible triumph of the leaders of the time was to wed 330 million people in one master narrative. Everybody was part of the same master narrative. Today, the master narrative has shrapnelled completely. The only narrative is the Shining India narrative, which fundamentally concerns maybe 200 million people…

But you’re still talking about another 900 million to a billion people who are not part of this narrative… who have no story. For now and for the next 50 years, any prime minister for this country has only one constituency to look out for. It’s mandated by the founding of this country, it’s mandated by our history that there’s only one class of people the prime minister has to watch out for, and that’s the wretched of this land. The rest of this country can look out for itself. This is a country where 50 percent of its people live in conditions worse than Sub-Saharan Africa. I don’t understand. There are more poor people in India than the entire population of Africa. How we manage the sleight of hand of totally creating this other story is bizarre.

Tarun Tejpal in conversation with Chris Lydon in New Delhi. July, 2010