August 18, 2014

WWI: The Shock of the New

Out of the wreckage of World War 1 come the incandescent modernists -- none burning brighter than James Joyce and his Ulysses. And don't forget Virginia Woolf, Ezra Pound and Pablo Picasso, too. It’s a rebel alliance of high-art anarchists. A century later, their lights are still on. Do you still hear the rebellious voice in the modernist masterpieces?

Out of the mire and death of World War One, even before the shooting stops, comes the strangest thing: the novel of the century.  It’s James Joyce’s Ulysses, transposing the wily warrior of Greek myth into the buried consciousness of a single day in Dublin in 1904. The global war was only part of the nightmare from which Joyce was trying to awake. From his teens, he’d set himself against every orthodoxy of provincial Ireland, against the pieties of family, church and Empire. Even before pre-publication, Ulysses became the fighting flag of Modernism: a sort of cracked “true realism,” an anti-violent anarchism in prose, poetry and painting, too. Do you still hear the rebellious voice in the modernist masterpieces: Mrs. DallowayThe Waste-Land? Have you made it through Ulysses? Is history a nightmare we’re still sleeping through?